The Favourite Part

In the last week I spend 33 hours traveling. On four buses and a train. I don't know what was worse. Two buses were night buses, and anyone who has ridden a night bus before knows how horrible it is to try and sleep in a bus overnight. Unless you can fall asleep at the click of your fingers (I used to have this talent, I'm not sure where it's disappeared to...) then you arrive at your destination looking like you've walked off the set of The Walking Dead.

During some of these long trips I was sorting out my kindle. In two weeks I'm going to be embarking on a two month road trip across the United States before I move back to New Zealand. While I'm hugely excited about this trip I also know it's going to involve many, many hours of bus rides (unfortunately it's the cheapest, and most uncomfortable, way to travel). My kindle will be my best friend (not that it wasn't already).

And just slightly off topic here, I know some of you are very anti kindle, but I must stress, for me they don't replace books. I still love getting the hardcopy books, being able to flick through the pages, pour over the cover, easily flick back and forth.... but it was becoming difficult to lug heavy books with me along with my laptop, gym gear, lunch and other daily essentials on the train for an hour each way to and from work. I got a kindle for my birthday and now it goes everywhere with me. It's so lightweight and slim it hardly takes up any room, and it's meant I've started reading so much more than I used to. I've even convinced my FH to buy one which he's quite excited about.

So anyway, I was organising my collections in my kindle for hours, shuffling books around, making new 'collections' and new lists of what I want to read next when I started thinking about the whole 'book reading process'.

I was trying to figure out which part of reading a book is my favourite part.  It could be the beginning when you have the whole book full of adventure to look forward to; the middle where you're wanting to know what happens next and can't quite put the book down but you've got plenty of the book left to look forward to; the climax, when you won't let anyone talk to you because you must...keep....reading!; or just after the conflict has been resolved and the book is wrapping up, when you know you're finishing this adventure and you're almost ready to pick your next book.

I asked my FH what his favourite part is, and he said "half way through when you know there's no turning back, when it's pulled you in and you have to finish the book to know how the story ends." I do love that part too, but I'm not sure if that's my favourite part, my favourite is at the climax near the end, when the tension is so high and your head has gone all buzzy and you can't think of anything else but what is going to happen in the book. There's also the knowledge that the book is coming to and end soon and you're going to get to pick out your next book soon.

So what is your favourite part of the reading process? Is there a time when your favourite part lets you down? Perhaps it's when it's not enough of a page turner, or when the book drags, or when it doesn't quite give you the satisfaction you were looking for.... thoughts?

Hooking in the audience

When I was at college I did a film studies paper. One of the first things we learned, and something that has stuck with me since then, was that filmmakers have twenty minutes to hook the audience in. After twenty minutes, if the audience hasn’t been hooked, then you’ve quite likely lost them. They’re more likely to turn off the film and find something else to do.

Talk about pressure!

With books, it’s kind of the same. There is a lot of talk about how the first lines really matter. It’s true, of course. First lines are really important for setting the tone of the book for the reader. You can tell a lot about a book from its first line, and often I’ll buy a book based on its first line and writing style.

More than that though, I think with books it’s similar to films. You have two chapters to hook the reader in. If your reader gets to the end of chapter two and is still saying “I don’t have a clue what’s going on here, I’m utterly and completely confused” then I think you have a problem.

I’m reading a novel at the moment which left me feeling the same way. I got to 20% through and I still didn’t understand what was happening. It was almost trying so hard to be captivating and mysterious that it just fell short and left me tempted to put the book down. I persevered though (a lot of people who reviewed this novel did not), and the story got much more interesting and captivating. Once I got to 60% through the book I finally cared about the characters and what was going on. The plot holes still frustrate me and I wish there was a little more insight into how the situation arose in the first place, but I care enough to want to finish the book.

This is pretty much me with my current book. Except I'm not a male. And I don't wear jumpers like that.

It goes to show how hard it is to get it right really. How do you get it right? Is there any way of pleasing everybody? The answer to that is probably not. Take Harry Potter for example. NPR recently listed the series as number one on the best ever teen novels list yet for every ten thousand people that love Harry, there is another thousand that can’t stand him.

My Dad once told me that people have differently wired brains. Techy people and arty people typically have a different kind of ‘wiring’ in their brains. It’s not to say they can’t enjoy the same things, like watching a Broadway show, listening to music or watching a sports game, it just means their brains work differently. My Dad, he’s an electrical engineer and he’s pretty good at math. Me, well I majored in Creative Industries and I’m terrible at math. During high school, Dad would spend hours trying to teach me long division and algebra because I just couldn’t get it through my head when my math teacher would explain it in front of the class.

I remember Dad saying he had a math teacher once who had a brain so mathematically wired, that he couldn’t understand how people didn’t understand. He would get frustrated at his students when they couldn’t simply pick it up after he’d explained it once or twice. The students, like me, probably had their brain wired somewhat differently that they needed everything broken down and practiced over and over before they understood. Those students though could possibly have excelled in creative writing or piano playing or art while the math teacher quite possibly could have struggled.  

This is me when I can't get my head around Trig...

I mention all this because it could come into play when reading a book. The fact that I haven’t been able to engage in this book until I’m 60% of the way through could be entirely different for someone else, someone who’s thought processes are entirely different. They might be hooked from the first sentence, whereas they might also find a book that I loved really hard to read.

So how do you combat this? I honestly, have no idea! I wish I had the answers. Then again, if I did, I’d probably be on the track to being the next J.K. Rowling by now…

It's just cute, yeah?

What do you look for in an opening line? An opening chapter or even the first quarter of a book? Do you like the ‘I’m not going to say much about what’s going on so you can try and figure it out later’ kind of thing or the ‘I know what’s going on and I like the way the story is progressing?’ I’m curious…. Do tell!